A Study in First Impressions

The moment I entered Room 207 the first day of class, I was boisterously greeted by Dr. Reed. He and I had only met in passing once before, so this was my primary introduction to the English professor. From the moment he asked for my name, then clarified if 'Elizabeth' is my preferred moniker, I knew I would enjoy the entirety of what the class offered. There was this comfortable ambiance in the air that I rarely feel, especially on the first day of a course. Words rolled off my tongue with ease, pleasantries and inquiries— so commonly spoken around me— were perched and primed as ammo for conversation. I felt the confidence of a well-studied student on an exam; I was ready.

We were swiftly asked to find another peer to converse with, and I happened to lock eyes with Megan, so I made my way over to her section of seating. I learned a great deal about her in a short period of time, and that information now resides in my mind, able to be recalled on a whim; in fact, that previous line reminds me of a poem I wrote recently for Introduction to Creative Writing titled "Inferno":

My memory will always be better than yours 
A vast hallway with infinite doors 
Moments carefully tucked away 
Locked up, keys heavy in my pocket 
Ready to unveil at the slightest provocation 
Uncontrollable, instantaneous: a spark 
Feet padding over, unlocking with trepidation   
Spilling thoughts across the bleach white floor  
Staining it gray 
No matter how fondly remembered 
You, I know, will never hold them so closely  
They will never absorb in your mind 
The way they do in mine 
Details will flicker in and out 
Eventually extinguishing entirely  
While I allow the wax to continue burning 
Scorching my mind, my heart, my body 
Rending me bruised and bleeding 
Awaiting the day you reignite your candle 
Willing to burn alongside me 

We all presented about our conversational partners, then dove straight into poetry, which I had been immersed in prior to this course through my Creative Writing class. We spoke on the depth of meaning a poem is able to convey, and I specifically remember prose poetry entering the conversation, for we were discussing the differences between Tennyson's "The Eagle" and the dictionary definition of the same creature. Sound was mentioned as being important, and the class arrived at the consensus that the definition lacked cadence. The topic reminded me of "A Story About the Body" by Robert Hass due to the way he formatted his sentences. There is a rhythm to the work, but it differs from the typical flow of poetry, hence its distinction as prose poetry. The Poetry Foundation lacks a copy of this poem somehow, but here is a link to it if you're interested in its contents and structure. 



I am excited and intrigued to see how this class will progress, and look forward to consuming the multitude of different works, authors, and genres we'll be presented with throughout the remainder of the semester. 

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